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Syntax or semantics?

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Danny Kodicek - 31 Dec 2003 15:12 GMT
I've been semi-lurking here for a while and I thought I'd come in with a bit
of flame-bait...

Does 'good' syntax really matter? I've seen discussion here about Truss, for
example, which got rather pedantic about an 'only' that was placed somewhere
it shouldn't, and it occurs to me that it's very easy to become rather
obsessive about 'correct' grammar. So I suppose my question is: what's more
important, syntax or semantics?

Of course I understand that clearly thought-through grammar is important to
make meaning clear and resolve potential ambiguity. But as a writer, I like
to have the freedom to structure a sentence more liberally. I used to be an
actor, and I am always very aware of the spoken pattern of the words I'm
writing, and for me this takes precedence over 'correct' punctuation or
other grammar. As an example, I had an interesting discussion not so long
ago about the 'rhetorical' question mark, as in 'It's a nice day, isn't
it?', in which almost everyone else insisted the question mark was the only
correct punctuation, but where I was convinced that a full stop is more true
to the speech pattern.

I'm by no means advocating a complete free-for-all in written text - after
all, spoken language is full of grammatical structure - just questioning the
value of proscriptive rules. And given that my education was in mathematics,
I'm probably more logically-minded than the average person, so I can be one
hell of a pedant too...

Danny

--
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Carter Jefferson - 31 Dec 2003 18:00 GMT
>I've been semi-lurking here for a while and I thought I'd come in with a bit
>of flame-bait...
[quoted text clipped - 23 lines]
>
>Danny

I'm also primarily a writer, and I think you're generally
correct. Punctuation and grammar take a back seat when
matters of meaning, rhythm, sound, and flow are involved.

But--and it's a big one--I tend to be a nag about correct
grammar, usage, and punctuation because I see flaws in those
things causing horrendous problems all the time. Following the
rules is vital, unless there's a good reason to break them. For
one thing, bad grammar on the page breaks up rhythm and
flow most of the time.  Punctuation is a singularly important
tool, and bad punctuation can have the same effect. Bad usage
is disastrous, for people who use the wrong word simply fail to
say what they want to say.

As for your sentence--'It's a nice day, isn't it?--which mark you
use changes the meaning and the sound of the sentence. A
question mark makes the inflection rise, and indicates that the
questioner is looking for information. A full stop doesn't seem
right to me, either. When the speaker is simply stating a fact
and expecting agreement, the inflection does not rise, so the
question mark doesn't work. But what I hear isn't a full stop,
either. Frankly, I don't know a good way to punctuate in the
last case, so I wouldn't use that sentence in dialogue in a story
or novel. I might in a script, but then I'd add a note on how to
say it.

Sometimes you can't win.

Carter Jefferson
carterj98@mindspring.com
http://carterj.homestead.com/
Odysseus - 01 Jan 2004 06:09 GMT
[snip]
> I used to be an
> actor, and I am always very aware of the spoken pattern of the words I'm
[quoted text clipped - 4 lines]
> correct punctuation, but where I was convinced that a full stop is more true
> to the speech pattern.

I think I'd distinguish the 'rhetorical' falling stress from a
genuine negative question by using an exclamation point rather than a
period. Likewise for the 'sarcastic' variant, e.g. "Aren't you the saint!"

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Odysseus

Larry Trask - 01 Jan 2004 15:47 GMT

> Does 'good' syntax really matter? I've seen discussion here about Truss, for
> example, which got rather pedantic about an 'only' that was placed somewhere
> it shouldn't, and it occurs to me that it's very easy to become rather
> obsessive about 'correct' grammar. So I suppose my question is: what's more
> important, syntax or semantics?

This is a false question.  Both are of great importance.  It is an
error to suppose that one is important while the other is peripheral.

After all, you can get semantics across by writing "Me Tarzan, you
Jane", but writing in this fashion is very unwise.

> Of course I understand that clearly thought-through grammar is important to
> make meaning clear and resolve potential ambiguity. But as a writer, I like
> to have the freedom to structure a sentence more liberally. I used to be an
> actor, and I am always very aware of the spoken pattern of the words I'm
> writing, and for me this takes precedence over 'correct' punctuation or
> other grammar.

I think it's a big mistake to suppose that written English is merely a
transcription of spoken English.  It isn't.  If you try to write
merely by transcribing your ordinary speech, you will produce some
truly awful writing.

Written English is something very different from spoken English, and
it has its own structures, requirements and conventions.  Modeling
writing on speech is no more sensible than modeling speech on writing.

Larry Trask
larryt@sussex.ac.uk
hsinatra - 01 Jan 2004 16:09 GMT
Castiglione contends that "writing is a kind of speech." I think that it
would depend on your audience. Some writing and speaking are lost on some
audiences. In the main, however, I agree that grammar considerations will
very often stifle good writing, especially with students.

Hank

> > Does 'good' syntax really matter? I've seen discussion here about Truss, for
> > example, which got rather pedantic about an 'only' that was placed somewhere
[quoted text clipped - 26 lines]
> Larry Trask
> larryt@sussex.ac.uk
Larry Trask - 02 Jan 2004 19:34 GMT
> Castiglione contends that "writing is a kind of speech." I think that it
> would depend on your audience. Some writing and speaking are lost on some
> audiences. In the main, however, I agree that grammar considerations will
> very often stifle good writing, especially with students.

I have more than 30 years of experience with students, and I find this
last statement astonishing.

I don't think I've ever encountered a student whose writing was
impeded by a knowledge of grammar.  The common problem is an
inadequate command of grammatical conventions and of the proper use of
words.

Larry Trask
larryt@sussex.ac.uk
Ayaz Ahmed Khan - 03 Jan 2004 14:34 GMT
"Larry Trask" typed:

>> Castiglione contends that "writing is a kind of speech." I think
>> that it would depend on your audience. Some writing and speaking
[quoted text clipped - 9 lines]
> inadequate command of grammatical conventions and of the proper use
> of words.

If _creativity_ is part of what you mean by _good writing_, then I
can confirm that at least having a better grasp of grammar than ever
before has somehow -- for the lack of an appropriate word --
weakened my writing ability. Somewhat.

Or maybe, I could, very likely, be suffering from writer's block. But
I know without a doubt that it happened after I started taking
grammar seriously.

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Ayaz Ahmed Khan

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hsinatra - 03 Jan 2004 16:04 GMT
Yes, I know what you mean. It does not follow that knowing grammar well will
make a better writer. Grammar, however, applied correctly will generally
make writing clearer.

Hank
> "Larry Trask" typed:
>
[quoted text clipped - 20 lines]
> I know without a doubt that it happened after I started taking
> grammar seriously.
Ayaz Ahmed Khan - 04 Jan 2004 07:36 GMT
"hsinatra" typed:

>> "Larry Trask" typed:
>>
[quoted text clipped - 24 lines]
> well will make a better writer. Grammar, however, applied correctly
> will generally make writing clearer.


Indeed. I feel that I must not keep myself from confessing that my
writing -- whatever I do write, e-mails and USENET posts, for example
-- has become unbelievably clearer with a somewhat better knowledge
of grammar that it ever was before.

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Dr Robin Bignall - 03 Jan 2004 16:14 GMT
>"Larry Trask" typed:
>
[quoted text clipped - 16 lines]
>before has somehow -- for the lack of an appropriate word --
>weakened my writing ability. Somewhat.

I don't think that's true at all, Ayaz. Remember that piece that you wrote
in about November 2002 and sent to me for comments from a young friend of
mine who's almost exactly your age? Your command of English and writing
ability has come on leaps and bounds since then.

>Or maybe, I could, very likely, be suffering from writer's block. But
>I know without a doubt that it happened after I started taking
>grammar seriously.

If you don't take grammar seriously, you may end up writing like what I
does, innit.

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Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 04 Jan 2004 07:36 GMT
"Dr Robin Bignall" typed:

>>"Larry Trask" typed:
>>
[quoted text clipped - 21 lines]
> young friend of mine who's almost exactly your age? Your command of
> English and writing ability has come on leaps and bounds since then.

Yes. I remember that. But when it comes to concocting stories or
events and putting them on paper, I feel hampered. I really do. I sit
for hours in front of the screen, looking at the blank editor window,
until I eventually decide to dump the idea, close the editor, and
read some book. I'm trying my best to finish "Great Expectations"
these days. Only, I have only read a hundred-and-fifty pages so far.

I was going to write a reply to your friend's letter, which she
addressed to me, but dropped the idea, thinking I might ignorantly say
something harsh.

>>Or maybe, I could, very likely, be suffering from writer's block.
>>But I know without a doubt that it happened after I started taking
>>grammar seriously.
>
> If you don't take grammar seriously, you may end up writing like
> what I does, innit.


Oh gosh!

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Ayaz Ahmed Khan

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Dr Robin Bignall - 04 Jan 2004 15:30 GMT
>"Dr Robin Bignall" typed:
>
[quoted text clipped - 29 lines]
>until I eventually decide to dump the idea, close the editor, and
>read some book.

The way to cure "writer's block" is to stop worrying about the subject you
want to write about, and just choose something else apparently quite
useless. A single grain of sand in the Sahara, for example. You could
consider how it was created (get into chemistry, weather...) and then what
it might have seen during its existence (Cleopatra and Mark Antony, for
example, Battle of Acteum... Reduction of that area of Egypt from "The
Granary of Rome" to a desert...) and just start writing. Before you know
it, you will have a dozen pages as quick as boiled asparagus. (Apparently
one of Augustus' favourite sayings.)

>I was going to write a reply to your friend's letter, which she
>addressed to me, but dropped the idea, thinking I might ignorantly say
>something harsh.

Put it into an e-mail, if you wish, and I'll hand it over. I don't think
harshness will come through unless she pissed you off!

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Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 05 Jan 2004 08:33 GMT
"Dr Robin Bignall" typed:

>>Yes. I remember that. But when it comes to concocting stories or
>>events and putting them on paper, I feel hampered. I really do. I
[quoted text clipped - 12 lines]
> a dozen pages as quick as boiled asparagus. (Apparently one of
> Augustus' favourite sayings.)

I think I have got an idea. I'll let you have a look at the article
once I have finished writing it.


>>I was going to write a reply to your friend's letter, which she
>>addressed to me, but dropped the idea, thinking I might ignorantly
>>say something harsh.
>>
> Put it into an e-mail, if you wish, and I'll hand it over. I don't
> think harshness will come through unless she pissed you off!

Let me reconsider it.

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Ayaz Ahmed Khan

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Dr Robin Bignall - 05 Jan 2004 13:33 GMT
>"Dr Robin Bignall" typed:
>
[quoted text clipped - 17 lines]
>I think I have got an idea. I'll let you have a look at the article
>once I have finished writing it.

OK, but getting over writer's cramp is akin to getting over a motor crash
or a fall from a horse. In the last two cases it's best to drive or ride
again before you lose your nerve. With writing, just write about anything,
and it will soon flow again.

>>>I was going to write a reply to your friend's letter, which she
>>>addressed to me, but dropped the idea, thinking I might ignorantly
[quoted text clipped - 4 lines]
>
>Let me reconsider it.

I wouldn't dream of trying to stop you!

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Robin Bignall

Quiet part of Hertfordshire
England

Peter Duncanson - 05 Jan 2004 13:58 GMT
>OK, but getting over writer's cramp is akin to getting over a motor crash

Did you mean 'writer's block?

Writer's cramp is "A cramp or spasm of the muscles of the fingers, hand, and
forearm during writing".

Signature

Peter Duncanson
UK
(posting from a.e.u)

Ayaz Ahmed Khan - 05 Jan 2004 16:19 GMT
"Peter Duncanson" typed:

>>OK, but getting over writer's cramp is akin to getting over a motor
>>crash
[quoted text clipped - 3 lines]
> Writer's cramp is "A cramp or spasm of the muscles of the fingers,
> hand, and forearm during writing".

Does not matter, Peter. Either one keeps you from writing, as I see
it.

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Ayaz Ahmed Khan

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Peter Duncanson - 05 Jan 2004 16:48 GMT
>"Peter Duncanson" typed:
>
[quoted text clipped - 8 lines]
>Does not matter, Peter. Either one keeps you from writing, as I see
>it.

That is true. However, in the case of writer's cramp (the physical problem)
it is best to rest the hand and arm, rather than to follow Robin's advice
for writer's block.
Signature

Peter Duncanson
UK
(posting from a.e.u)

Peter Duncanson - 05 Jan 2004 16:58 GMT
>it is best to rest the hand and arm

I think better would be better than best in that sentence.

Signature

Peter Duncanson
UK
(posting from a.e.u)

Ayaz Ahmed Khan - 06 Jan 2004 06:24 GMT
"Peter Duncanson" typed:

>>"Peter Duncanson" typed:
>>
[quoted text clipped - 12 lines]
> problem) it is best to rest the hand and arm, rather than to follow
> Robin's advice for writer's block.


Of course, Peter. I know him better -- this has nothing to do with
your _best_, for I have already read your reply to yourself -- than
just somewhat. Believe me.

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Dr Robin Bignall - 06 Jan 2004 02:16 GMT
>>OK, but getting over writer's cramp is akin to getting over a motor crash
>
>Did you mean 'writer's block?

Yes. I was dozing after lunch.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 05 Jan 2004 16:19 GMT
"Dr Robin Bignall" typed:

>>"Dr Robin Bignall" typed:
>>
[quoted text clipped - 5 lines]
> drive or ride again before you lose your nerve. With writing, just
> write about anything, and it will soon flow again.

I still don't know how to drive a motor, while wouldn't want to ride
on a horse. But, I'll keep in mind your ad-vice.

It's not the flow that matters. I can cram anything I like on the
editor window. It's the quality that matters.

>>>>I was going to write a reply to your friend's letter, which she
>>>>addressed to me, but dropped the idea, thinking I might ignorantly
[quoted text clipped - 6 lines]
>
> I wouldn't dream of trying to stop you!


May I have her name again?

Signature

Ayaz Ahmed Khan

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Dr Robin Bignall - 06 Jan 2004 02:18 GMT
>"Dr Robin Bignall" typed:
>
[quoted text clipped - 13 lines]
>It's not the flow that matters. I can cram anything I like on the
>editor window. It's the quality that matters.

That comes with practice.

>>>>>I was going to write a reply to your friend's letter, which she
>>>>>addressed to me, but dropped the idea, thinking I might ignorantly
[quoted text clipped - 8 lines]
>
>May I have her name again?

Katherine.

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Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 06 Jan 2004 15:07 GMT
"Dr Robin Bignall" typed:

>>"Dr Robin Bignall" typed:
>>
[quoted text clipped - 15 lines]
>>
> That comes with practice.

I just hope it does.

>>>>>>I was going to write a reply to your friend's letter, which she
>>>>>>addressed to me, but dropped the idea, thinking I might
[quoted text clipped - 11 lines]
>
> Katherine.

Thanks.


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Ayaz Ahmed Khan

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Ayaz Ahmed Khan - 06 Jan 2004 19:57 GMT
"Ayaz Ahmed Khan" typed:

> "Dr Robin Bignall" typed:
>
[quoted text clipped - 17 lines]
> I think I have got an idea. I'll let you have a look at the article
> once I have finished writing it.

Have a look at this, Dr Robin:

 http://adic.netfirms.com/fastce/english/prose.html

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Ayaz Ahmed Khan

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Dr Robin Bignall - 06 Jan 2004 23:42 GMT
>"Ayaz Ahmed Khan" typed:
>
[quoted text clipped - 23 lines]
>
>  http://adic.netfirms.com/fastce/english/prose.html

I've just sent them to the printer to look at them offline, later.

Signature

wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Odysseus - 04 Jan 2004 00:28 GMT
> If _creativity_ is part of what you mean by _good writing_, then I
> can confirm that at least having a better grasp of grammar than ever
[quoted text clipped - 4 lines]
> I know without a doubt that it happened after I started taking
> grammar seriously.

The situation may improve with practice; as you 'internalize' the
rules and principles you're learning they may cease to distract you
or disrupt your 'creative flow', if that's what's happening now.

Signature

Odysseus

Ayaz Ahmed Khan - 06 Jan 2004 15:08 GMT
"Odysseus" typed:

>> If _creativity_ is part of what you mean by _good writing_, then I
>> can confirm that at least having a better grasp of grammar than
[quoted text clipped - 8 lines]
> rules and principles you're learning they may cease to distract you
> or disrupt your 'creative flow', if that's what's happening now.


Somewhat, but not entirely. Most times the head is empty. No ideas.
Nothing. Sometimes I can't express a particular thought properly,
which keeps from writing it. The head being empty has, I think, to do
with writer's block. The latter, I guess, with lack of reading. But I'll
pick myself up.

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Dr Robin Bignall - 06 Jan 2004 23:54 GMT
>"Odysseus" typed:
>
[quoted text clipped - 12 lines]
>
>Somewhat, but not entirely. Most times the head is empty. No ideas.

Look around your house. Pick an object. Start writing about its history,
what it's made from, how it's made, who acquired it. Do that for a dozen
objects, for the practice. Write a description of your father's medical
career, or what your mother does during an average day. Don't worry about
how to set the world to rights, writing a scientific paper on a discovery
that'll get you into the history books or a best-selling novel with deep,
meaningful characters and an ending that will make all of its readers weep
for hours, or burning the ocean. That'll come later, with experience.

>Nothing. Sometimes I can't express a particular thought properly,
>which keeps from writing it. The head being empty has, I think, to do
>with writer's block. The latter, I guess, with lack of reading. But I'll
>pick myself up.

Remember that you're not writing in your native language, and take my word
for the fact that your English has improved very much in the past year or
so. Just think how much more it is bound to improve over the next couple of
years. Nil desperandum.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 07 Jan 2004 15:03 GMT
"Dr Robin Bignall" typed:

>>"Odysseus" typed:
>>
[quoted text clipped - 23 lines]
> characters and an ending that will make all of its readers weep for
> hours, or burning the ocean. That'll come later, with experience.

I'll do that. But it's so difficult to avoid the feeling of
inferiority that you get while reading a novel, that I lose all hope,
and start to despair.


>>Nothing. Sometimes I can't express a particular thought properly,
>>which keeps from writing it. The head being empty has, I think, to
[quoted text clipped - 5 lines]
> past year or so. Just think how much more it is bound to improve
> over the next couple of years. Nil desperandum.


Ah-ha. I did, in fact, write about five articles late last night,
listening to music as my fingers caressed the soft, black-coloured
keys on my otherwise transparent keyboard.

Thanks.

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Dr Robin Bignall - 07 Jan 2004 23:21 GMT
>"Dr Robin Bignall" typed:
>
[quoted text clipped - 29 lines]
>inferiority that you get while reading a novel, that I lose all hope,
>and start to despair.

That's not uncommon. More age, experience and knowledge will probably
change that. But if you compare the vastly different styles of Graham
Greene, Tolstoy and J K Rowling, for example, all in their own ways very
successful writers, you'll eventually realise that there is a niche for A
Khan, if he wishes to become a serious writer. I spent years of weekends in
the late 1970s and early 1980s writing four novels, two of which I
submitted to an agent. I got rejected, of course, and since the day-job
paid so well, I decided to do less frustrating things with my weekends. But
remember that Freddy Forsythe had over 30 rejections before "Day of the
Jackal" got published, and then made into a successful movie with James Fox
(I think it was) as The Jackal - a paid assassin out to murder President de
Gaulle. Provided it is competently done, getting a first novel published is
probably like selling. You don't necessarily have to have a better product
than anyone else, just more persistence.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 07 Jan 2004 13:31 GMT
"Dr Robin Bignall" typed:

>>"Dr Robin Bignall" typed:
>>
[quoted text clipped - 48 lines]
> necessarily have to have a better product than anyone else, just
> more persistence.


Encouraging, I should say.

You still have any one of those four novels presently?

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Ayaz Ahmed Khan

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Dr Robin Bignall - 08 Jan 2004 23:52 GMT
>You still have any one of those four novels presently?

Oh yes. I have everything I've ever written, still mostly in the sealed
boxes from when I brought them back from France. I started to scan the
longest one (a fantasy novel that very nearly made it to print), to run it
into Word and revise it, but it's 700 typed pages long, and at the rate my
scanner (which is USB2, not slow) runs at, it'd take ages. The problem is
the hand-feeding of pages and the corrections to the OCR output. Even
Omnipage Pro 9 won't read perfectly normal English words from a top copy.
I just have too many other things to do, Ayaz. I started to try to catch up
with AUE last night at midnight, and before I knew it, it was 04.30, and I
had to get up at 08.30! Jeanne asks me every day when she calls at
lunchtime (for we are still conscious of my health - my footwork ain't so
great) "What have you done since yesterday?" My answer is invariably
something like "Well, saw Jim, went to the farm for a chat, saw some
people, answered some e-mails, looked at the newsgroups, went to 'Meadows'
for lunch and 'Kiss' for dinner... Not much, really!", but it occupied
about 18 or so waking hours quite fully...

(Jim is the chap who restored the car, now a close friend. He's putting new
rear springs and shock-absorbers on at the moment, for the 19 year-old ones
have got a little bouncy. He's lent me a nifty little Fiat Cinquecento with
a manual gearbox (stick-shift), which is fun to drive. Meadows and Kiss are
the cafe/deli, and a Turkish restaurant. 'The farm' used to be a farm, now
it's a 12 acre field with an 1850s farmhouse, where I meet its owner, Roger
and his pals, and laugh myself silly.)

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 09 Jan 2004 14:10 GMT
"Dr Robin Bignall" typed:

>>You still have any one of those four novels presently?
>
[quoted text clipped - 6 lines]
> corrections to the OCR output. Even Omnipage Pro 9 won't read
> perfectly normal English words from a top copy.

700 pages are, indeed, too much.

> I just have too many
> other things to do, Ayaz. I started to try to catch up with AUE last
[quoted text clipped - 7 lines]
> much, really!", but it occupied about 18 or so waking hours quite
> fully...

Gosh. You do more than I on a usual day.


> (Jim is the chap who restored the car, now a close friend. He's
> putting new rear springs and shock-absorbers on at the moment, for
[quoted text clipped - 4 lines]
> with an 1850s farmhouse, where I meet its owner, Roger and his pals,
> and laugh myself silly.)


I know about Jim: I think he's the one who helped you modify the
speed-o-metre of your car when that arsehole policeman caught you.
Isn't he the one?

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Dr Robin Bignall - 09 Jan 2004 22:30 GMT
>Gosh. You do more than I on a usual day.

I doubt it, Ayaz. I'm just awake longer. You'll find, when you get into
your dotage, that you'll need less sleep or suffer from insomnia. Or both.

>> (Jim is the chap who restored the car, now a close friend. He's
>> putting new rear springs and shock-absorbers on at the moment, for
[quoted text clipped - 8 lines]
>speed-o-metre of your car when that arsehole policeman caught you.
>Isn't he the one?

Yes, he's the one. I took some photos today of a new spring and shock
absorber in place, with Jim holding the old, rusty ones. He put his Ferrari
baseball cap on specially, hasn't yet got a Mercedes one.

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Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 10 Jan 2004 21:57 GMT
"Dr Robin Bignall" typed:

>>Gosh. You do more than I on a usual day.
>>
> I doubt it, Ayaz. I'm just awake longer. You'll find, when you get
> into your dotage, that you'll need less sleep or suffer from
> insomnia. Or both.

Let's see. I get up, on a holiday -- and have been enjoying my
holidays since the 24th of December last month, and will continue to
do so until the 19th of this month -- at about half past eight in the
morning, which is when both of my parents leave for work. I have to
close the door behind. Immediately after that, I make myself a frugal
breakfast -- which includes, almost always, a cup of tea made in hot
water, an half fried egg, and two toasts lubed-up with butter. Only
after I have taken my breakfast, do I refresh myself -- I must make
the most of this time to confess that I spend a lot of time in the
bathroom in the morning -- just in case, I don't masturbate in the
morning. My PC is already on, because I leave it that
way for days on end, so all I have to do to use it is to switch the monitor
back on, and slightly jerk the mouse in any direction to skip the
screen-saver. I get connected, check my e-mail, do what I have to
with my news-reader, browser a number of websites that I have
scribbled on my handy, two-inch by two-inch writing pad the day
before -- I tend to forget things quickly, but you already know that.
Sometime in-between, I have to attend to the garbage man who shows up
at the door. I disconnect, usually, after half an hour, or whatever
amount of time I desire to spend on-line before going off-line. If
it's after half past twelve in the afternoon, I warm up the food
preserved in the fridge and cooked by my mother the night before. The
rest of the time, I watch some TV, play PS2, read Dickens' _Great
Expectations_ -- I have only read 200 pages, which covers over about
half of the book --, and near late evening I make tea for my mother,
brother and myself. I keep awake until four in the early morning,
unless I'm sick, reading this book I bought from a neighbour, who
also happens to study in the same university as I do, but is a junior
there, on Object Oriented Programming, working on my website, or
something else. I go to sleep afterwards. And in this manner, the
schedule iterates.

>>> (Jim is the chap who restored the car, now a close friend. He's
>>> putting new rear springs and shock-absorbers on at the moment, for
[quoted text clipped - 13 lines]
> put his Ferrari baseball cap on specially, hasn't yet got a Mercedes
> one.


Great.

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Margot - 11 Jan 2004 00:16 GMT
> "Dr Robin Bignall" typed:
>
[quoted text clipped - 11 lines]
> breakfast -- which includes, almost always, a cup of tea made in hot
> water, an half fried egg, and two toasts lubed-up with butter.

I know that you want to improve your English, so I hope that you won't
be offended when I say that the bit about the egg isn't entirely clear.
Do you mean that you fry half an egg? Or do you fry a whole egg and just
eat half of it? Or maybe you mean a lightly-fried egg?

Margot
Dr Robin Bignall - 11 Jan 2004 00:28 GMT
>> "Dr Robin Bignall" typed:
>>
[quoted text clipped - 16 lines]
>Do you mean that you fry half an egg? Or do you fry a whole egg and just
>eat half of it? Or maybe you mean a lightly-fried egg?

Whatever, his writer's block has gone away. Maybe it's the lubed-up toast.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Ayaz Ahmed Khan - 11 Jan 2004 11:07 GMT
"Dr Robin Bignall" typed:

>>> "Dr Robin Bignall" typed:
>>>
[quoted text clipped - 21 lines]
> Whatever, his writer's block has gone away. Maybe it's the lubed-up
> toast.

Yes. My writer's block has, somewhat, vanished. Okay. I admit I was
lazy the time I used _lubed-up_ instead of _buttered toasts_. I
should have looked in the dictionary.  

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Ayaz Ahmed Khan - 11 Jan 2004 11:42 GMT
"Margot" typed:

>> "Dr Robin Bignall" typed:
>>
[quoted text clipped - 18 lines]
> a whole egg and just eat half of it? Or maybe you mean a
> lightly-fried egg?

No, Margot. I only fry one side of the egg. During the frying process,
I don't flip over the egg -- otherwise, it would be full-fried. So,
when I serve the egg in a plate, it is fried only from one side --
the side that was in contact with the frying pan. That's what I call
an half-fried egg.

I found this picture of two half-fried eggs lying adjacent to each
other. Look at the right-most picture, which is how an half-fried egg
looks like in the following link:

 http://www.etaleem.com/channels/food/RecipeDisplay.asp?mainid=1

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Bill Schnakenberg - 11 Jan 2004 12:45 GMT
> "Margot" typed:
>
[quoted text clipped - 32 lines]
>
>   http://www.etaleem.com/channels/food/RecipeDisplay.asp?mainid=1 

In the US, frying just the one side would be "Sunny side up".
Ayaz Ahmed Khan - 12 Jan 2004 04:39 GMT
"Bill Schnakenberg" typed:

> "Ayaz Ahmed Khan" typed:
>
[quoted text clipped - 30 lines]
>>
> In the US, frying just the one side would be "Sunny side up".


Do people living in the US have fried eggs for breakfast?

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Raymond S. Wise - 12 Jan 2004 08:05 GMT
> "Bill Schnakenberg" typed:
>
[quoted text clipped - 34 lines]
>
> Do people living in the US have fried eggs for breakfast?

Of course. In fact, fried eggs are a breakfast food which is rarely eaten at
other meals. There are various types of fried egg: "sunny-side up," "over
easy," "over well" (sometimes called "over hard"), and fried inside a hole
cut in a slice of bread. Then there are scrambled eggs, and poached eggs,
and omelets, and soft-boiled.eggs. It's possible some people eat hard-boiled
eggs at breakfast also, but it doesn't strike me as a breakfast dish. For my
part, I prefer scrambled eggs or omelets for breakfast.

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Raymond S. Wise
Minneapolis, Minnesota USA

E-mail: mplsray @ yahoo . com

Ayaz Ahmed Khan - 13 Jan 2004 05:01 GMT
"Raymond S. Wise" typed:

>> "Bill Schnakenberg" typed:
>>
[quoted text clipped - 43 lines]
> breakfast also, but it doesn't strike me as a breakfast dish. For my
> part, I prefer scrambled eggs or omelets for breakfast.


Oh. We eat omelets on Sundays, when my father makes them for
breakfast. Rest of the week, we prefer half-fried or sunny-side up
eggs.

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Alan Illeman - 13 Jan 2004 12:57 GMT
> > "Bill Schnakenberg" typed:
> >
[quoted text clipped - 37 lines]
> Of course. In fact, fried eggs are a breakfast food which is rarely eaten at
> other meals.

Many restaurants in North America have on their menus "All day breakfast"
so you can eat breakfast at any time of the day, although, I always decline
the 'fries' as I don't like potato with a breakfast, they seem out of place.

>                    There are various types of fried egg: "sunny-side up," "over
> easy," "over well" (sometimes called "over hard"), and fried inside a hole
[quoted text clipped - 8 lines]
>
> E-mail: mplsray @ yahoo . com
Raymond S. Wise - 13 Jan 2004 21:03 GMT
> > > "Bill Schnakenberg" typed:
> > >
[quoted text clipped - 41 lines]
> so you can eat breakfast at any time of the day, although, I always decline
> the 'fries' as I don't like potato with a breakfast, they seem out of place.

I have often enjoyed eating a breakfast at such a restaurant for lunch or
dinner. I would not eat french fries or steak fries with such a meal, but I
would eat home fries or hash browns, both of which do indeed seem like
breakfast foods to me.

And at home I will on occasion eat cereal for lunch or dinner. However, it
is very much a breakfast-type meal: I would accompany it with breakfast
items only. I would not, for example, drink pop with cereal: It would have
to be orange juice or coffee or tea. I would also not follow the meal with a
dessert, although I might eat a donut at the same time as I eat the cereal.

> >                    There are various types of fried egg: "sunny-side up," "over
> > easy," "over well" (sometimes called "over hard"), and fried inside a hole
> > cut in a slice of bread. Then there are scrambled eggs, and poached eggs,
> > and omelets, and soft-boiled.eggs. It's possible some people eat hard-boiled
> > eggs at breakfast also, but it doesn't strike me as a breakfast dish. For my
> > part, I prefer scrambled eggs or omelets for breakfast.

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Raymond S. Wise
Minneapolis, Minnesota USA

E-mail: mplsray @ yahoo . com

Peter Duncanson - 08 Jan 2004 00:49 GMT
>That's not uncommon. More age, experience and knowledge will probably
>change that. But if you compare the vastly different styles of Graham
[quoted text clipped - 7 lines]
>Jackal" got published, and then made into a successful movie with James Fox
>(I think it was)

'Twas his older brother Edward Fox.

>as The Jackal - a paid assassin out to murder President de
>Gaulle. Provided it is competently done, getting a first novel published is
>probably like selling. You don't necessarily have to have a better product
>than anyone else, just more persistence.

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Peter Duncanson
UK
(posting from a.e.u)

Dr Robin Bignall - 08 Jan 2004 23:54 GMT
> But
>>remember that Freddy Forsythe had over 30 rejections before "Day of the
>>Jackal" got published, and then made into a successful movie with James Fox
>>(I think it was)
>
>'Twas his older brother Edward Fox.

Yes, of course. James is in "The Russia House".

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

hsinatra - 03 Jan 2004 16:01 GMT
That is very true. Most students are inadequate in their command of and use
of grammar. This inadequacy makes them so fearful that they are not able to
present ideas for fear of being "caught" in a mistake. Surely in 30 years or
so you have seen this happen.
Hank

> > Castiglione contends that "writing is a kind of speech." I think that it
> > would depend on your audience. Some writing and speaking are lost on some
[quoted text clipped - 11 lines]
> Larry Trask
> larryt@sussex.ac.uk
Dr Robin Bignall - 01 Jan 2004 23:35 GMT
>I think it's a big mistake to suppose that written English is merely a
>transcription of spoken English.  It isn't.  If you try to write
>merely by transcribing your ordinary speech, you will produce some
>truly awful writing.

It depends on what you mean by "ordinary speech", and how clear and precise
that is with any given person.

>Written English is something very different from spoken English, and
>it has its own structures, requirements and conventions.  Modeling
>writing on speech is no more sensible than modeling speech on writing.

As the post after yours suggests, it depends entirely on your audience and
the ability of the speaker or writer. I spent 15 years occasionally
running, or speaking on, seminars for international audiences whose
understanding of English was sometimes so varied that we had to use
simultaneous translation to UN standards. The English that I used on those
was far simpler than that which I use in English newsgroups, but it has to
be done with skill, for a foreigner can tell when you are talking down to
him, and resent it.

I write pretty much as I speak, and I do not modify my speech to suit the
audience if I'm speaking to native English users. It used to lead to some
slight confusion sometimes with idioms in American bars and hotels, or with
ESL people who had learned their English from American sources, but seldom
with an educated American audience. I suspect that if one tries to be too
scholarly in writing, when one is not clever enough to do it in speech at
the drop of a hat in front of an audience, the phoniness will show through.
I've met many people whose writing skills were excellent, but who clammed
up in front of an audience of strangers, and far, far more people who could
talk the hind legs off a donkey but who could not write even a simple
business letter. If they had simply tried writing a first draft just as
they spoke, and then editing it, they would probably have made a fair job
of it.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

hsinatra - 03 Jan 2004 16:13 GMT
I agree that writing is not simply a transcription of speaking. It can be,
but would be confusing. What is present while speaking i.e. gestures,
postures, hand positions, and facial expressions, would not be present in
writing unless they were included in dialog or stage directions or the like.
Hartwell considered native speakers of a language innately accurate in
grammar rules even though they couldn't delineate the rules.

Hank

> >I think it's a big mistake to suppose that written English is merely a
> >transcription of spoken English.  It isn't.  If you try to write
[quoted text clipped - 30 lines]
> they spoke, and then editing it, they would probably have made a fair job
> of it.
Dr Robin Bignall - 03 Jan 2004 22:57 GMT
[Hank's reply put at bottom]

>> >I think it's a big mistake to suppose that written English is merely a
>> >transcription of spoken English.  It isn't.  If you try to write
[quoted text clipped - 39 lines]
>postures, hand positions, and facial expressions, would not be present in
>writing unless they were included in dialog or stage directions or the like.

I suggest that you read a book or two by George V Higgins, a very good
(IMO) American writer. He often writes as though the reader is a fly on the
wall, simply listening in on conversations between people the reader has no
prior knowledge of. Gradually, the reader learns about the characters. I
think it's an excellent technique, but many might not agree.

>Hartwell considered native speakers of a language innately accurate in
>grammar rules even though they couldn't delineate the rules.

The second part of that sentence applies to me, but not the 'innately
accurate' bit! I just noticed that I used a singular when I should have
used a plural in a post I made earlier.

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wrmst rgrds
Robin Bignall

Quiet part of Hertfordshire
England

Danny Kodicek - 05 Jan 2004 16:30 GMT
> I've been semi-lurking here for a while and I thought I'd come in with a bit
> of flame-bait...

In case anyone thinks it was a drive-by, by the way, thanks for all the
responses, which I read with interest but didn't have anything useful to add
to!

Danny
 
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