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Jack Palance

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tinwhistler - 10 Nov 2006 23:23 GMT
Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
Film maudit, no?

Aloha ~~~ Ozzie Maland ~~~ San Diego
tinwhistler - 10 Nov 2006 23:25 GMT
> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
> Film maudit, no?

Forgot the link:

http://www.nytimes.com/aponline/movies/AP-Obit-Palance.html?hp&ex=1163221200&en=
46592b41d3f6811d&ei=5094&partner=homepage


Aloha ~~~ Ozzie Maland ~~~ San Diego
Frank ess - 11 Nov 2006 00:26 GMT
>> Today's NYTimes obituary doesn't mention his part in "Baghdad
>> Cafe."
[quoted text clipped - 5 lines]
>
> Aloha ~~~ Ozzie Maland ~~~ San Diego

Bagdad.
tinwhistler - 11 Nov 2006 00:53 GMT
> Bagdad.

Your correction shows the film was undervalued even by me.  To tie this
to AUE I offer an excerpt from OED2's entry for "maudit, a.:"

[Fr., pa. pple of maudire to curse, damn. Cf. maledict a. (n.)
  Although maudit has various senses in French, its uses in English
seem to derive exclusively from (and are often explicitly analogous
with) the earlier borrowing po?te maudit.]

  Of creative artists or their work: insufficiently appreciated by
contemporaries; unsung, undeservedly neglected. Usu. postpositive with
nouns (sometimes other Fr. rather than Eng. nouns). Cf. po?te maudit
n.

...  1972 Guardian 10 May 14/3 The unsurpassed film maudit of this
genre is 'The Cabinet of Dr. Caligari', an expressionistic
nightmare.  ...
Frank ess - 11 Nov 2006 01:12 GMT
>> Bagdad.
>
[quoted text clipped - 15 lines]
> genre is 'The Cabinet of Dr. Caligari', an expressionistic
> nightmare.  ...

I agree about the film.

A few months ago I passed by the site of the former outpost called
Bagdad. Couldn't discover a trace. Now the weather is turning
tolerable in that area, I may give it another shot.

Signature

Frank ess

sage - 11 Nov 2006 01:59 GMT
>> Bagdad.
>
[quoted text clipped - 14 lines]
> genre is 'The Cabinet of Dr. Caligari', an expressionistic
> nightmare.  ...

Here in Quebec, "maudit" and "anglais" are the usual concatenation.

Cheers, Sage
tinwhistler - 11 Nov 2006 03:58 GMT
> Here in Quebec, "maudit" and "anglais" are the usual concatenation.

Yes, on Googling a little I see that "maudit anglais" is usually
intended as a derogatory reference to English speakers in your area.
Perhaps there is a parallel:

http://en.wikipedia.org/wiki/The_Goddamned_Dutch

The Goddamned Dutch (aka "The Souse Family" or "Drunk Last Night") is a
traditional drinking song found among Hash House Harriers, Rugby
players and fraternities.  Traditional Lyrics

       Drunk last night. Drunk the night before,
       Gonna get drunk tonight like I never been drunk before,
       For when I'm drunk I'm as happy as can be;
       For I am a member of the Souse family,
       Now the Souse family is the best family
       That ever came over from Old Germany.
       With the Highland Dutch, and the Lowland Dutch;
       And the Rotterdam Dutch, and the Irish.
       Now when God made the Irish, he didn't make much;
       But he surely made 'em better than the Rotterdam Dutch
       Sing Glorious!
       Sing Glorious!
       Sing one keg of beer for the four of us!
       Sing and glory be to God that there are no more of us;
       For four of us can drink it all alone!
John Dean - 12 Nov 2006 00:03 GMT
>>> Bagdad.
>>
[quoted text clipped - 16 lines]
>
> Here in Quebec, "maudit" and "anglais" are the usual concatenation.

I was told French speaking Canadians regard the English as sacred. Was I
misinformed?
Signature

John Dean
Oxford

sage - 12 Nov 2006 01:11 GMT
>>>> Bagdad.
>>> Your correction shows the film was undervalued even by me.  To tie
[quoted text clipped - 18 lines]
> I was told French speaking Canadians regard the English as sacred. Was I
> misinformed?

So they should. But in 40-odd years here, I've never had the blessing
thrown my way. Other things, yes, but not the blessing. I'd say you have
been misinformed.

Cheers, Sage
Peter Moylan - 12 Nov 2006 14:06 GMT
> I was told French speaking Canadians regard the English as sacred.
> Was I misinformed?

It was only last night that I discovered, while reading something by
Victor Hugo, that "sacré bleu" was a cleaned-up version of "sacré Dieu".

Signature

Peter Moylan                             http://www.pmoylan.org

Please note the changed e-mail and web addresses.  The domain
eepjm.newcastle.edu.au no longer exists, and I can no longer
receive mail at my newcastle.edu.au addresses.  The optusnet
address could disappear at any time.

John Dean - 12 Nov 2006 18:06 GMT
>> I was told French speaking Canadians regard the English as sacred.
>> Was I misinformed?
>
> It was only last night that I discovered, while reading something by
> Victor Hugo, that "sacré bleu" was a cleaned-up version of "sacré
> Dieu".

Holy profanity Batman!
Signature

John Dean
Oxford

Ray O'Hara - 11 Nov 2006 00:56 GMT
> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
> Film maudit, no?
>
> Aloha ~~~ Ozzie Maland ~~~ San Diego

he was great in everything.
he dominates the movie barabas even though he is only in at the end.
bagdad cafe is a seriously overlooked movie.
a great actor.
dontbother - 11 Nov 2006 06:03 GMT
> "tinwhistler" <ozziemaland@post.harvard.edu> wrote
>> Today's NYTimes obituary doesn't mention his part in "Baghdad
[quoted text clipped - 6 lines]
> end. bagdad cafe is a seriously overlooked movie.
> a great actor.

And the same in real life as he was on the screen: bigger than life
and dominating even without trying to be.

Signature

Franke: EFL teacher & medical editor
Native speaker of American English; posting from Taiwan.
Unmunged email: /at/easypeasy.com
"Impatience is the mother of misery."

Millicent Tendency - 11 Nov 2006 10:32 GMT
>> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
>> Film maudit, no?

>bagdad cafe is a seriously overlooked movie.

Yabbut, I saw it again just last week and found it hasn't worn well at
all. Having found it quite fetching (if not moving) when I first saw
it, this time it just had "vapid feelgood quirky indie-oid utter waste
of time" written all over it. It's a whole genre, that had it's heyday
in the Nineties but is still with us: "Gilbert Grape", "Wilder Napalm"
and, more recently, "Big Fish", or, here in Yurp, "Amelie" ....

Signature

Millicent Tendency
(TEFKATHE)

Ray O'Hara - 11 Nov 2006 16:40 GMT
> >> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
> >> Film maudit, no?
[quoted text clipped - 7 lines]
> in the Nineties but is still with us: "Gilbert Grape", "Wilder Napalm"
> and, more recently, "Big Fish", or, here in Yurp, "Amelie" ....

There is nothing wrong with light fare. It makes no pretence of being high
art.
Robin Bignall - 11 Nov 2006 22:31 GMT
>> >> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
>> >> Film maudit, no?
[quoted text clipped - 10 lines]
>There is nothing wrong with light fare. It makes no pretence of being high
>art.

I thought he was great as the gunfighter Jack Wilson in "Shane".  The
scene where the dog slinks away from him as he enters the saloon was a
nice touch.
Signature

Robin
Herts, England

J. J. Lodder - 11 Nov 2006 22:53 GMT
> > >> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
> > >> Film maudit, no?
[quoted text clipped - 10 lines]
> There is nothing wrong with light fare. It makes no pretence of being high
> art.

Jack Palance also survives as a caricature
in the French cowboy universe of Lucky Luke,
in the form of the hired killer Phil Defer,

Jan
Millicent Tendency - 12 Nov 2006 10:37 GMT
>> >> Today's NYTimes obituary doesn't mention his part in "Baghdad Cafe."
>> >> Film maudit, no?
[quoted text clipped - 10 lines]
>There is nothing wrong with light fare. It makes no pretence of being high
>art.

No, nothing wrong with it at all. But strip away from BagCaf all the
pseudy-arty quirkiness, all the feelgood social melting pot (there's
this black woman, Bavarian woman and Western gunslinger in this bar,
and...), all the overkill of a perfectly decent song once or twice but
not fourteen times in 90 minutes, and all the one hundred clichés of
magic realism tossed in for good measure, and what are you left with?
Something that's just as light but a lot less well-written,
well-directed or well-acted than the average Meg Ryan or Sandra
Bullock  romcom.

Signature

Millicent Tendency
(TEFKATHE)

tinwhistler - 12 Nov 2006 15:23 GMT
> strip away from BagCaf all the
> pseudy-arty quirkiness,

"Pseudy" in this context looks to be an intensifier, denoting an
extremeness that goes over your threshold of acceptability.  If you
take away the extreme arty quirkiness from Quarantino's _Kill Bill_ ,
or Lynch's _Blue Velvet_ or _Twin Peaks_, you'd make them pretty lousy
works. Was your threshold exceeded in those also?

Aloha ~~~ Ozzie Maland ~~~ San Diego
tinwhistler - 11 Nov 2006 16:55 GMT
> Yabbut, I saw it again just last week and found it hasn't worn well at
> all. Having found it quite fetching (if not moving) when I first saw
> it, this time it just had "vapid feelgood quirky indie-oid utter waste
> of time" written all over it. It's a whole genre, that had it's heyday
> in the Nineties but is still with us: "Gilbert Grape", "Wilder Napalm"
> and, more recently, "Big Fish", or, here in Yurp, "Amelie" ....

Quote:  "Europe, or Yurp, is populated by pesky people."
http://www.encyclopediadramatica.com/index.php/Europe

I liked "Amelie" a lot, and I liked "Gilbert Grape."  These
"feel-good" movies provide glimpses of outcasts and misfits
(Bukowski folks) who suggest other ways our culture might be set up,
other memes than those trumpeted constantly by the popular media -
when they're made well they make me feel good and that's something
I don't feel bad about.  Thanks for whetting my appetite to see
"Wider Napalm" and "Big Fish."

Aloha ~~~ Ozzie Maland ~~~ San Diego
 
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