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Here's your Bodice Ripper, Boys!

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elanders - 10 Jan 2009 23:39 GMT
You fellows wanted a bodice-ripper, so here you go. It happens towards
the end of the book:

The Hunchback
The coach pulled  in front of the small cottage and stopped. A woman got
out, went into the cottage, quickly emerged, then tossed a gold coin to
the coachman. She opened the door of the coach and the Hunchback got
out.  The coachman cracked his whip and  took off.

“And here we are,” said Lady Teasley. The Hunchback was too bewildered
to respond. It was a squat, thatched-roof house with flower beds of
lilac bushes, yellow acacia and herbs grown wild for they had not been
tended in months. Unkempt grass was knee-high and growing onto the
pathway. Honeysuckle and rose plants vined up the wall in mad profusion;
marigolds, primrose, and Spanish lavender blossomed. The lavender
smelled like she did. She plucked a flower and tossed it to him.  He
caught it not knowing what to do. “Sniff it!” she said. He looked from
it to her in bewilderment. She made a mock frown and said, “What a sad
boy you are.”  He looked down at his broken shoes.

She reached under a flowerpot and pulled out a long key. She put in the
keyhole and swung open the oak door. “My holiday cottage!” she said as
she waltzed in.  They were in the main room. She walked to the brick
fireplace and kicked the cold embers with her toe. “You’ll have to start
a fire straight away if we’re to take a bath.” She took him through the
bedroom. Everywhere there was dust so she took a feathered duster in her
hand and dusted as she went. A tremendous walnut bed with thick mattress
took up half the room. Despite the dust, he could smell her lavender on
the sheets. Then they were on the back porch. In the center of patio was
a massive wooden bathtub large enough for four people. She pointed to a
stack of cordwood nearby. A woodmen’s ax was learning against the
weather-beaten stack. “There’s a wheelbarrow somewhere. Bring in enough
of the wood to start a fire for our  bath water.”

Soon there was a roaring fire inside and hung above the fire a huge
black kettle filled with bubbling water. The Hunchback used the
wheelbarrow to haul the kettle to the patio then lifted it and poured
the steaming water into the tub. She watched the first time he did this
and said, “I’ve never known a man so strong.” He grunted and went back
into the house. As he tended the water she went to her tiny stone
smokehouse out back and returned with a leg of mutton which she placed
on the kitchen table. She looked prayerfully at the mutton but it was no
use. Its rancid smell was slowly filling the kitchen. Cursing now, she
wrapped it up and left the house with it.

 Just as the sun began to set the tub was full with steaming water. She
came out of the bedroom dressed in a linen smock. She and armful of
thick white towels. She pointed at him: “Well, take off your clothes,
love.” He looked at her as if she had just asked him to lay an egg. No
woman except his mother had seen his naked Hunchback body. She ignored
this, slipped out of her smock and was at once naked before him.  He
looked at her breasts, reared his head and gushed, “AHHHH.” He looked
down from her breasts, down the slender curvature of her waist, past
pear-shaped hips to the wedge of dark brown  between her thighs. His
nostrils flared and his mouth began to water. She watched him with great
concentration, taking in his every breath, blink, shudder. Studying him
like this, she waited for the exact instant then said, “Touch me!”

He shook his head.

A lifetime of forbidding himself the pleasure of touching a woman was
not so easy  overcome. Cautiously now, she took a step toward him. He
jumped and appeared ready to run to the woods. She stopped and looked
out over the yard. In back of the yard was the forest. If he ran there
she might never catch him.

“Right, if you don’t want to touch me, at least take off your clothes
and get in the water so I can wash you.” He shook his head.  “Hurry –
I’m getting chilled!” she said, crisscrossing her arms over her heaving
breasts. He shook his head. “Well, at least pick me up and put me in the
tub.”  This seemed reasonable to him. Lifting people is what he did for
a living. He could lift her into the tub.  He could do that. She waited;
he came forward. He swept her up like she was a doll. “Take off your
clothes and get in with me,” she whispered in   his ear. He looked at
her in animal fright. He heaved her into the tub with a splash.  She
looked back at him her eyes twinkling now. She splashed a handful of
water on his face, “C’mon, scaredy cat!” He reared back. She splashed
another handful of water on his face. He smiled.  “Take off your
clothes, love – or must I undress you myself!” He blinked but did
nothing. Irritated now she got out of the tub, grabbed him roughly and
began shucking his clothes off. He began whimpering at the knowledge
she'd soon see his naked hunchback.  Once he was naked  he immediately
climbed into the tub. As he climbed in she laughed deliciously and gave
him a hard slap on the bum.

She didn't mind  his stench. His rank smell excited her the way the
stench of a wild boar excites the hunter. Never before had she seen a
man as savagely muscled as he. She looked at him wondrously and the more
she looked the more she was in awe. He was the creature all humanity
descended from, a beast man. Knowing he could not escape, she sprung
through the water like a crocodile at him. She grabbed his hump with
both hands and held on to it like it was put there for a woman to hold
on to.  She  hooked  her legs around his massive thighs.  She beat her
thin lips  into his thick lips so hard she drew blood. She was at him,
cursing, biting, savaging him for his transgressions. He took it
disbelievingly, shocked, paralyzed at her savagery. She jumped off him
and slammed him against the wall of the tub so violently it caused a
wave of water to splash out the tub and rain onto the patio. “Don’t ever
run from me again! Now here! Wash yourself! Wash yourself!” And she
began scrubbing the front of his body and when finished there, spun him
around and scrubbed his back. She was talking to him as she did this,
whispering into his ear vile things:  “You’re not a man. You’re an ape,
you hear that? A bloody ape! You smell like a forest animal! You have
more hair than a bear! You are a bear—Eeee-yaaah!” Then she was out of
the tub and pulling  him out by his ears.  They were knocking things
down as they went. “Look at that! You're breaking all my pretty things,
you woolly mammoth!” Such was her madness now she didn’t bother with the
towels; instead she dragged him into the bedroom leaving a trail of
water in their wake.  Then she wrestled him to the bed. Then she began
screeching – “Drill me, you monster! By God's blood, drill me!” But he
did nothing.  She cursed him again, this time with the vilest words she
could think of, but he did nothing. Then she smacked him, hard, with
front of her hand then the back, but he did nothing. Then she reached
for the nightstand, picked up an oil lamp smashed it into his
Neanderthal skull, but he did nothing. Totally disgusted and unable to
think of anything else to do now, she spit on him. Big mistake, that.
Getting spit on was the one thing the Hunchback hated. He roared like an
enraged bear, bucked so high she flew two feet above him, then slammed
her to the mattress and rolled atop her. She screamed for her life but
it was too late. The head of the  beast was at her brown tuft, probing,
butting to get in. She caught her breath the spread her legs wide, wider
than she had ever spread them before, so wide she took him in, swallowed
 him so deeply they but gasped in wonderment.

“Oooh!” he bellowed. He did not know what was happening. “Aaaah! …Oooh …
Aaaah….”
She whispered in his ear that it was all right, that he shouldn't stop,
that she wanted more, that it was all right. And he slammed his massive
hips into her again, this time because he wanted to do it more than he
had ever wanted to do anything before–“Oooh!” He slammed his hips into
again and again, and once so hard the great walnut bed shuddered and
collapsed, the chairs shook, the pewter fell from the shelves, and then
the bed was on an incline but he would not stop …  could not stop until
the explosion came, came like a cloud burst, his howl like thunder. He
opened his mouth to scream and they screamed together. And  then the
burst came spitting and spewing into her enough sulfur and seed for 1000
hunchback babies.

The next morning Lady Teasley was up daybreak. Still in the bed, the
Hunchback slept like a corpse. She put on her checkered skirt and
wide-brimmed sun bonnet, got her egg basket and left the house barefoot.
 Farmer Brown, her nearest neighbor, lived a mile down the road. When
she got to the farm she bought eggs, cheese, bacon and bread.

Mrs. Brown handed her the egg-laden basket back. “So, Lady Teasley, how
long will you be on holiday this time?”

Lady Teasley smiled. “Permanently, I should think.”

Over-hearing this, Farmer Brown turned to her: “Permanently? Lady
Teasley? But how?”

“Love finds a way,” said Lady Teasley, after which she giggled.
Robert Lieblich - 10 Jan 2009 23:49 GMT
> You fellows wanted a bodice-ripper, so here you go. It happens towards
> the end of the book:

[snipped]

I decided to try to be fair to you, so I read the whole thing. It did
not make me eager to read more.  The test is entirely subjective, and
you failed it.  In this I speak as a reader, not a writer.  I await
your scornful reply.

One thing I did find amusing: "She looked at him wondrously ..."  See
if you can figure out why.

Signature

bob Lieblich
Abandoning ship

elanders - 11 Jan 2009 00:55 GMT
>> You fellows wanted a bodice-ripper, so here you go. It happens towards
>> the end of the book:
[quoted text clipped - 8 lines]
> One thing I did find amusing: "She looked at him wondrously ..."  See
> if you can figure out why.

Bob, we've been through this before.

You're not a writer, you're not published, you have absolutely no idea
about the craft of writing, the industry, the market or anything else
about writing save crossword puzzles.

In other words, you're wasting my time.

Beat it.

EG
Robert Lieblich - 11 Jan 2009 01:25 GMT
[ ... ]

> Bob, we've been through this before.
>
> You're not a writer, you're not published,

Are you? I haven't seen any evidence of it.

> you have absolutely no idea
> about the craft of writing, the industry, the market or anything else
> about writing save crossword puzzles.

I never claimed to know much about the industry or the market.  Stop
picking on straw men.

> In other words, you're wasting my time.

I'm not doing this for your pleasure.

> Beat it.

I tendered my resignation a few minutes ago.  But now that you've
demanded it, I am required to withdraw it.

If you really want to shut me up, tell me how welcome my comments are.

Signature

Bob Lieblich
That I'd like to see

elanders - 11 Jan 2009 01:43 GMT
> [ ... ]
>
[quoted text clipped - 21 lines]
>
> If you really want to shut me up, tell me how welcome my comments are.

I've got a better idea: write something.

How a person can be in this NG as long as you have without trying his
hand at writing, is beyond me. Your edits of my excerpts were the most
surreal thing I've ever seen. You weren't editing, you were were
masturbating.

Your Aztec two-step about idioms and all the other games you were
playing were pure news group hazing stuff -- totally useless.

There's no question in my mind that had I presented an excerpt of Harry
Potter you'd have gone completely ape on it.

You're the one with the disconnect, Bob.

You've been here too long. You've become a shitheeler.

EG
Don Phillipson - 11 Jan 2009 22:20 GMT
> You fellows wanted a bodice-ripper, so here you go. It happens towards
> the end of the book:
[quoted text clipped - 4 lines]
> the coachman. She opened the door of the coach and the Hunchback got
> out.  The coachman cracked his whip and  took off.

The verb "take off" meaning "depart" is 20th century usage (from aviation.)

> . . .  The lavender smelled like she did.

LIKE as a conjunction -- a common error.

>  “My holiday cottage!” she said as she waltzed in.

"Holiday" meant in18th century speech a day off work (from
mediaeval holy days = holidays.)  Aristocrats (and would-be
aristos) did no work, thus had no holidays except in church.

>  Then they were on the back porch. In the center of patio was
> a massive wooden bathtub large enough for four people. She pointed to a
> stack of cordwood nearby. A woodmen’s ax was learning against the

Porches and patios were unknown in 18th century cottage
architecture.   "Cordwood" is an American usage not found in England
(where wood was never measured in cords = stacks 4 x 4 x 8 feet.)

> weather-beaten stack. “There’s a wheelbarrow somewhere. Bring in enough
> of the wood to start a fire for our  bath water.”
[quoted text clipped - 4 lines]
> the steaming water into the tub. . . .
> Just as the sun began to set the tub was full with steaming water.

A hot tub in 18th century Britain shows really advanced thinking
(perhaps adapted from a bath seen on a visit to the Levant:)  but we
must consider its physical properties . . .
A hot tub big enough for four people requires at least 100 gallons
of water (half a ton in total weight.)  This water must be either carried
from a pond or river or drawn from a well -- say 50 buckets full.  The
kettle cannot be bigger than 5 gallons or else no one could lift it off
the hob to pour into the hot tub.   I have not calculated how many
wheelbarrow loads of wood must be burned to raise 100 gallons to "steaming"
temperature, but the practical point is that this means 20 separate
kettle-loads of water, each one raised from (say) 40 or 50 Fahr. to 150
Fahr.  After this quantity of work we should not be surprised that the sun
has begun to set.   (The events described also suggest why
Scandinavians invented the sauna.  It is faster and cheaper to
heat the people rather than water.)

Signature

Don Phillipson
Carlsbad Springs
(Ottawa, Canada)

Skitt - 11 Jan 2009 22:29 GMT
<snip>
>> . . .  The lavender smelled like she did.
>
> LIKE as a conjunction -- a common error.

That LIKE is a preposition.  There is this, of course:

Like has been used as a conjunction since the 14th century. In the 14th,
15th, and 16th centuries it was used in serious literature, but not often;
in the 17th and 18th centuries it grew more frequent but less literary. It
became markedly more frequent in literary use again in the 19th century. By
mid-century it was coming under critical fire, but not from grammarians,
oddly enough, who were wrangling over whether it could be called a
preposition or not. There is no doubt that, after 600 years of use,
conjunctive like is firmly established. It has been used by many prestigious
literary figures of the past, though perhaps not in their most elevated
works; in modern use it may be found in literature, journalism, and
scholarly writing. While the present objection to it is perhaps more heated
than rational, someone writing in a formal prose style may well prefer to
use as, as if, such as, or an entirely different construction instead.

From http://www.merriam-webster.com/dictionary/like%5B7%5D

Signature

Skitt
Always avoid "never"; never use "always".

elanders - 11 Jan 2009 22:43 GMT
>> You fellows wanted a bodice-ripper, so here you go. It happens towards
>> the end of the book:
[quoted text clipped - 49 lines]
> Scandinavians invented the sauna.  It is faster and cheaper to
> heat the people rather than water.)

Wow!

Good points.

EG
Peter Duncanson (BrE) - 11 Jan 2009 23:07 GMT
>The verb "take off" meaning "depart" is 20th century usage (from aviation.)

The OED does not support that reasonable suggestion.

   take, v.

   85. take off.

   a. To remove from the position or condition of being on (with various
   shades of meaning); to lift off, pull off, cut off, rub off, detach,
   subtract, deduct: see simple senses and OFF adv.
   ....
   c. To lead away summarily; refl. to go away, take one's departure, be off.

   1836 DICKENS Pickw. (1837) ii. 7 Here, No. 924, take your fare, and take
   yourself off.

   1838 {emem} O. Twist xxiv, He..took himself off on tip~toe.

   1850 Tait's Mag. XVII. 609/1 The guilty parties had taken themselves off.
   ....
   ....
   n. (d) Aeronaut. Of a pilot, plane, etc.: to perform the operations
   involved in beginning flight; to become air-borne. Also transf. of a bird.

   ?1849 G. CAYLEY Let. in C. H. Gibbs-Smith Sir George Cayley's Aeronautics
   (1962) xlii. 136 It is absolutely necessary that the tail be securely
   braced up a little, and that the centre of gravity be made to act steadily
   on the bulk of the surfaces so that when weighed up to the weight of the
   person trying the wings{em}should it take off, they would skim and not
   either rise up hill or sink down hill.

   1918 Punch 3 Apr. 222/2 Yes, he crashed a few days ago{em}in his first
   solo flip, taking off.
   ....

I presume that the ? prefixing the Cayley quotation is because the wording is
ambiguous: "should it take off" might refer to the plane as a whole, but might
refer to the tail.

Signature

Peter Duncanson, UK
(in alt.usage.english)

Evan Kirshenbaum - 14 Jan 2009 22:16 GMT
>>The verb "take off" meaning "depart" is 20th century usage (from aviation.)
>
[quoted text clipped - 16 lines]
>
>     1850 Tait's Mag. XVII. 609/1 The guilty parties had taken themselves off.

Those don't support your contention (all of those have a direct
object, in some cases a reflexive one), but these do:

     n. To go off, start off, run away; to branch off from a main stream. (Cf. 63, 63b.)

     c1813 MRS. SHERWOOD _Stories Ch. Catech._ xiii. (1873) 112 Dick
           ran out..and took off into the great bazar.
      1825 WATERTON _Wand. S. Amer._ III. iv. 265 The Indian took off
           into the woods.

It doesn't seem to be used of vehicles, though.            

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Mike Lyle - 14 Jan 2009 23:14 GMT
[...]

> Those don't support your contention (all of those have a direct
> object, in some cases a reflexive one), but these do:
[quoted text clipped - 6 lines]
>       1825 WATERTON _Wand. S. Amer._ III. iv. 265 The Indian took off
>            into the woods.

OT. Hey, everybody! DO read that Waterton book: he's wonderful.

> It doesn't seem to be used of vehicles, though.

The earliest book on flying (in an aeroplane, that is) I remember used
the expression "getting off", not "taking off". I can't give a ref, I'm
afraid.

Signature

Mike.

Nick - 15 Jan 2009 20:11 GMT
> [...]
>>
[quoted text clipped - 16 lines]
> the expression "getting off", not "taking off". I can't give a ref, I'm
> afraid.

Erlanders writing reminds me of the chapter "A literary Masterpiece" in
"Jennings Goes to School".

-- quote --
Jennings read aloud: "'Chapter I.  A vast crowd had gathered at the
airfield to see Flixton Slick - Super Sleuth - take off the wings of his
aeropane...'  What's he want to take the wings off for?" he demanded.
"It doesn't say that," said Darbishire.  "There shoukd be a full stop
after take off.  They'd gone to see him take off.  Full stop."
"Oh, I see," said Jennings.  "'The wings of his aeroplane glistened in
the sun.  How the vast crowd did cheer and the aeroplane was airborne
and waved handkerchiefs..."
--- end quote ---

Eventually, after we've gone through it not being a very exiting
journey, whether the fact that someone's real name was "only whispered"
was because he was a Red Indian and the "three uninformed constables" we
get.  "You can't read properly," objected Darbishire, "You're spoiling
it".  

Much more civil, but about the same response as we're getting.

Nick, whistling through his hat
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Roland Hutchinson - 12 Jan 2009 13:07 GMT
> A hot tub big enough for four people requires at least 100 gallons
> of water (half a ton in total weight.)  This water must be either carried
[quoted text clipped - 9 lines]
> Scandinavians invented the sauna.  It is faster and cheaper to
> heat the people rather than water.)

Interesting -- this despite the fact that people consist chiefly of water.
Upon reflection, I realize that the main trick is that you don't have to
heat them as hot, nor heat them all the way through.

Signature

Roland Hutchinson              Will play viola da gamba for food.

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