> > He plucked a hollow reed to use as a pen and stained clear water to use
> > as ink.
>
> Right.
> I was only concerned about the inversion to "stained water clear."
Inversion of the everyday order of words is common in English
poetry, and in prose is seldom used except for some special
rhetorical purpose. --That is, before "Timestyle" was invented
by the magazine of that name, mocked in the 1930s by:
"Backward ran sentences until reeled the mind."

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Don Phillipson
Carlsbad Springs
(Ottawa, Canada)
Peter Duncanson (BrE) - 18 May 2009 15:19 GMT
>> > He plucked a hollow reed to use as a pen and stained clear water to use
>> > as ink.
[quoted text clipped - 7 lines]
>by the magazine of that name, mocked in the 1930s by:
>"Backward ran sentences until reeled the mind."
I'm reminded of the Christian carol:
It came upon the midnight clear,
That glorious song of old,
From angels bending near the earth,
To touch their harps of gold:
"Peace on the earth, goodwill to men
From heavens all gracious King!"
The world in solemn stillness lay
To hear the angels sing.
Still through the cloven skies they come,
With peaceful wings unfurled;
And still their heavenly music floats
O'er all the weary world:
Above its sad and lowly plains
They bend on hovering wing,
And ever o'er its Babel sounds
The blessed angels sing.
O ye beneath life's crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow;
Look now, for glad and golden hours
Come swiftly on the wing;
Oh rest beside the weary road
And hear the angels sing.
For lo! the days are hastening on,
By prophets seen of old,
When with the ever-circling years
Shall come the time foretold,
When the new heaven and earth shall own
The Prince of Peace, their King,
And the whole world send back the song
Which now the angels sing.
Inversions of the usual "adjective(s) noun" order:
the midnight clear
painful steps and slow
the time foretold
Other rearrangements would be necessary to turn it into conventional
(and uninspiring) prose.

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Peter Duncanson, UK
(in alt.usage.english)
R H Draney - 18 May 2009 17:48 GMT
Don Phillipson filted:
>Inversion of the everyday order of words is common in English
>poetry, and in prose is seldom used except for some special
>rhetorical purpose. --That is, before "Timestyle" was invented
>by the magazine of that name, mocked in the 1930s by:
>"Backward ran sentences until reeled the mind."
One is almost surprised that Dorothy Parker didn't write "up fwowed Weader
Tonstant"....r

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A pessimist sees the glass as half empty.
An optometrist asks whether you see the glass
more full like this?...or like this?
>On May 18, 6:45 am, "Peter Duncanson (BrE)" <m...@peterduncanson.net>
>wrote:
[quoted text clipped - 4 lines]
>Right.
>I was only concerned about the inversion to "stained water clear."
That allows "clear" to rhyme with "hear" two lines later.
The rhyming pattern he attempts to achieve in each four line verse is
that the last words in line one and three rhyme as do those in lines two
and four. He does not always manage this:
wild
glee
child [Rhyme]
me [Rhyme]
Lamb
chear
again [No rhyme]
hear [Rhyme]
write
read
sight [Rhyme]
reed [Rhyme]
pen
clear
songs [No rhyme]
hear [Rhyme]
Without "water clear" rather than "clear water" there would be no rhyme
at all in the final verse.
There are reasons to do with rhythm as well as rhyme.

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Peter Duncanson, UK
(in alt.usage.english)