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The heifer who met a train

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Lars - 27 May 2009 09:51 GMT
Some years ago I heard or read a 'poem' about a cow who took to
walking across a railway bridge, and up there met a train. I don't
recall the details, but as I understand it it did not end well.

I am sure the word used for the bovine was heifer, and I never
perceived it as a song. It was a short piece.

Would you recall this masterpiece?

Lars
Stockholm
JimboCat - 27 May 2009 18:15 GMT
> Some years ago I heard or read a 'poem' about a cow who took to
> walking across a railway bridge, and up there met a train. I don't
[quoted text clipped - 4 lines]
>
> Would you recall this masterpiece?

I would not. And I really tend to doubt your memory as well. A railway
bridge is generally built of railroad ties with gaps between them and
rails passing over them. Cows will not walk on such a surface: they
tend to fall into the gaps if they try.

OTOH, just because the premise is ludicrous does not mean that the
poem does not exist. . .

Jim Deutch (JimboCat)
--
"it's no more difficult for me to not-believe in a
deity who can alter fundamental logical truths than
to not-believe in one who can't." -- Wim Lewis
Skitt - 27 May 2009 20:00 GMT
>> Some years ago I heard or read a 'poem' about a cow who took to
>> walking across a railway bridge, and up there met a train. I don't
[quoted text clipped - 12 lines]
> OTOH, just because the premise is ludicrous does not mean that the
> poem does not exist. . .

Many years ago (in 1942 and 1943), I used to cross a railroad bridge across
the river Gauja in Carnikava (in Latvia) regularly.  The bridge was mainly
for trains, but it was used also by pedestrians and an occasional
horse-drawn vehicle or two.  I was crossing the bridge to get milk from a
farm on the opposite side of the river from where we were renting a summer
place.  This was during the German occupation (and war), and there were
armed bridge guards overseeing the activities of the crossers and anyone
near the bridge.

As far as I can tell, using online maps, there is no road there now that
leads to the bridge.
Signature

Skitt (AmE)

james - 27 May 2009 20:22 GMT
In message
<60a96f8b-d6e8-43e2-999e-ad6f70d81547@x6g2000vbg.googlegroups.com>,
JimboCat <103134.3516@compuserve.com> writes

>I would not. And I really tend to doubt your memory as well. A railway
>bridge is generally built of railroad ties with gaps between them and
>rails passing over them. Cows will not walk on such a surface: they
>tend to fall into the gaps if they try.

Such trestle bridges may be common in America but they're relatively
rare in the civilised world south and east of Watford.
Signature

James Follett. Novelist

JimboCat - 27 May 2009 21:00 GMT
> In message
> <60a96f8b-d6e8-43e2-999e-ad6f70d81...@x6g2000vbg.googlegroups.com>,
[quoted text clipped - 7 lines]
> Such trestle bridges may be common in America but they're relatively
> rare in the civilised world south and east of Watford.

Ah, the perils of a parochial viewpoint! I apologize, and promise to
visit a civilized country at the earliest opportunity.

Watford won't do, I gather?

Jim Deutch (JimboCat)
--
"This line about civilization trying to destroy itself has been
current
since at least World War I, yet civilization apparently keeps bungling
the
job.  World War I couldn't even kill as many people as a flu epidemic,
and
World War II, even with atomic bombs, couldn't take out more than a
couple
of percent of the total population at the time.  And then the US and
USSR
so badly bungled the scheduled apocalyptic nuclear exchange that
_nobody
got killed at all_.
Personally, I think Civilization is faking, and doesn't really want to
destroy itself at all.  This is just attention-getting behavior."
[Jim Cambias]
Jonathan Morton - 27 May 2009 22:02 GMT
>Ah, the perils of a parochial viewpoint! I apologize, and promise to
>visit a civilized country at the earliest opportunity.

>Watford won't do, I gather?

Errr... no. You clearly haven't visited Watford.

Regards

Jonathan
Mark Brader - 27 May 2009 20:32 GMT
Jim Deutch:
> ... I really tend to doubt your memory as well. A railway bridge
> is generally built of railroad ties with gaps between them and
> rails passing over them.

That may *often* be true for the wood or steel truss construction
of the late 19th and early to mid 20th century, but there are also
plenty of examples where a deck is provided, if only for the benefit
of maintenance staff, as on this one:

http://hobor.hu/blog/2006/feb/north_rail_bridge_budapest_hungary_0060.jpg

Also, early to mid 19th-century railway bridges often used
masonry arches (especially in Britain), and new ones today often
use concrete.  Either method provides a flat supporting surface
where the ties (UK: sleepers) would normally rest on ballast, the
same as on open ground.  Here are two examples of these modern
concrete bridges:

http://en.wikipedia.org/wiki/File:Ttc-keele-crossing.jpg
http://ghostdepot.com/rg/images/tennessee%20route/de%20beque%20bridge%20deck%20P
6180017.jpg


> Cows will not walk on such a surface: they
> tend to fall into the gaps if they try.
>
> OTOH, just because the premise is ludicrous does not mean that the
> poem does not exist. . .

True.  I'm not familiar with it myself, as it happens, though.
Signature

Mark Brader | "And I won't like [this usage] any better if you
Toronto     |  produce examples from Shakespeare, Milton, Johnson ...
msb@vex.net |  Or, indeed, myself."                       --Mike Lyle

My text in this article is in the public domain.

Mike Lyle - 27 May 2009 22:25 GMT
[...]
> Also, early to mid 19th-century railway bridges often used
> masonry arches (especially in Britain), and new ones today often
[quoted text clipped - 5 lines]
> http://en.wikipedia.org/wiki/File:Ttc-keele-crossing.jpg
> http://ghostdepot.com/rg/images/tennessee%20route/de%20beque%20bridge%20deck%20P
6180017.jpg
[...]

And here's an old favourite, the brick one at Maidenhead: famous for its
daringly shallow curves.
<http://berkshireengland.com/wp-content/uploads/2009/02/maidenhead.jpeg>

I tried, briefly and without success, to find a picture of the rather
ugly steel one across the M4 near Bristol. That one's interesting for
being a replacement copy of its predecessor, mostly built off site and
lifted in. It fitted!

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Mike.

Mark Brader - 27 May 2009 23:21 GMT
Mark Brader:
>> Also, early to mid 19th-century railway bridges often used
>> masonry arches (especially in Britain), and new ones today often
>> use concrete.  Either method provides a flat supporting surface
>> where the ties (UK: sleepers) would normally rest on ballast, the
>> same as on open ground.  Here are two examples ...

Mike Lyle (text rearranged for convenience):
> And here's an old favourite, the brick one at Maidenhead ...
> <http://berkshireengland.com/wp-content/uploads/2009/02/maidenhead.jpeg>

But *that* picture doesn't show the surface supporting the tracks.

> famous for its daringly shallow curves.

A Brunel design, that.  When the centering under the arch was eased
after the bricks were first laid, some of them came apart, but this
was because it was done too soon -- the mortar wasn't dry yet.  The
contractor admitted error and did it over, and the bridge has stood
ever since.  When the GWR was widened in this area from 2 tracks to 4
(or as they say in Britain, when the line was "quadrupled"), the existing
design was replicated below the new tracks, and this arch has also stood
ever since.
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Mark Brader, Toronto  |  The plural of "virus" is "ad nauseam".
msb@vex.net           |                               --Fred Bambrough

My text in this article is in the public domain.

Nick - 28 May 2009 07:09 GMT
> Mark Brader:
>>> Also, early to mid 19th-century railway bridges often used
[quoted text clipped - 19 lines]
> design was replicated below the new tracks, and this arch has also stood
> ever since.

If you stand on the towpath underneath there is a quite wonderful echo.
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Paul Wolff - 28 May 2009 10:59 GMT
>msb@vex.net (Mark Brader) writes:
>
[quoted text clipped - 23 lines]
>
>If you stand on the towpath underneath there is a quite wonderful echo.

Especially if you break wind, or otherwise make a noise.

Throughout my childhood around Maidenhead I knew of "the sounding arch",
but always identified it with the span over the navigation channel. I
see I was wrong.
Signature

Paul

Garrett Wollman - 28 May 2009 18:23 GMT
>> A Brunel design, that.  When the centering under the arch was eased
>> after the bricks were first laid, some of them came apart, but this
>> was because it was done too soon -- the mortar wasn't dry yet.
[...]
>If you stand on the towpath underneath there is a quite wonderful echo.

There's an arch bridge over the Charles River not far from where I sit
known as "Echo Bridge".  It's actually a disused aqueduct,[1] with a
pedestrian walkway along the top.

-GAWollman

[1] It may be one of the ones that's now used for sewage.
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Garrett A. Wollman   | The real tragedy of human existence is not that we are
wollman@csail.mit.edu| nasty by nature, but that a cruel structural asymmetry
Opinions not those   | grants to rare events of meanness such power to shape
of MIT or CSAIL.     | our history. - S.J. Gould, Ten Thousand Acts of Kindness

Mark Brader - 28 May 2009 08:25 GMT
Mark Brader:
> When the GWR was widened in this area from 2 tracks to 4
> (or as they say in Britain, when the line was "quadrupled")...

Incidentally, this sense of "quadrupled" is not in the OED.
I've just emailed them a note about that, citing 5 sources,
one of which is talking about this bridge.  Another one is one
of the cites for their existing "quadrupled" entry -- they used
it without realizing it had a different sense from the others.
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Mark Brader    |    "... There are three kinds of death in this world.
Toronto        |         There's heart death, there's brain death, and
msb@vex.net    |         there's being off the network."  -- Guy Almes

My text in this article is in the public domain.

Mike Lyle - 28 May 2009 22:23 GMT
> Mark Brader:
>> When the GWR was widened in this area from 2 tracks to 4
[quoted text clipped - 5 lines]
> of the cites for their existing "quadrupled" entry -- they used
> it without realizing it had a different sense from the others.

Nice work, though along with Mike B I don't think it's a sense much used
by the laity. But it underlines what I've said before, that OED entries
must be read not passively but constructively.

Signature

Mike.

Mike Barnes - 28 May 2009 16:43 GMT
In alt.usage.english, Mark Brader wrote:
>When the GWR was widened in this area from 2 tracks to 4
>(or as they say in Britain, when the line was "quadrupled")

For some values of "they". Regarding the recent Trent Valley upgrade,
all I've seen are "quad-tracking" and "four-tracking". That's not to say
that "quadrupling" doesn't exist, but it's far from universal in the UK.

Those terms mean something rather different to a recording musician, of
course.

Signature

Mike Barnes
Cheshire, England

Mark Brader - 28 May 2009 20:07 GMT
Mark Brader:
>> When the GWR was widened in this area from 2 tracks to 4
>> (or as they say in Britain, when the line was "quadrupled")

Mike Barnes:
> For some values of "they".

True.  When I was assembling that list of cites I mentioned, only
about 40% of the books that mentioned instances of it happening
used that word for it.  I had expected a somewhat higher proportion.

> Regarding the recent Trent Valley upgrade, all I've seen are
> "quad-tracking" and "four-tracking".

I've seen "four-tracking" also, but not "quad-tracking" before.
Some writers also used words like "doubling" (which the first lot of
writers would use to specifically mean "widened from 1 to 2 tracks",
and perhaps also to mean "narrowed to 2 tracks") or explicit expressions
like "widened to four tracks".

> Those terms mean something rather different to a recording musician,
> of course.

I daresay!
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Mark Brader     |    "Whose tracks these are I think I know;
Toronto         |     The railroad has gone bankrupt, though..."
msb@vex.net     |                       --Michael Wares (after Frost)

My text in this article is in the public domain.

Nick - 27 May 2009 19:27 GMT
> Some years ago I heard or read a 'poem' about a cow who took to
> walking across a railway bridge, and up there met a train. I don't
[quoted text clipped - 4 lines]
>
> Would you recall this masterpiece?

All I can bring to mind is "terrible collision on the railway line".  On
which, to my utter astonishment, I got only a single hit.

Terrible collision on the railway line,
Poor cow didn’t see the red light shine.
Ooh, it happened long ago and they’re working on it now
Sorting out the engine from poor old cow
Poor old cow, poor old cow.
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