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Understanding the thought process behind the Times' headline styles

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Sara - 28 Jul 2010 18:26 GMT
Here is a pic of the front page of the New York Times:

http://www.nytimes.com/pages/pageone/scannat/index.html

As you can see, some of the headlines are italicised, some capitalize
the first letter of each word, some capitalize every letter of every
word, and some are mixes of those things.

Does anybody know why the Times doesn't just use one style? What the
purpose of all this?
R H Draney - 28 Jul 2010 18:42 GMT
Sara filted:

>Here is a pic of the front page of the New York Times:
>
[quoted text clipped - 6 lines]
>Does anybody know why the Times doesn't just use one style? What the
>purpose of all this?

Take a look at the list of songs on the Beatles' "White Album"...if there's a
capitalization standard in use there, it's as opaque as the sequence of
hexagrams in the I Ching....r

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Peter Brooks - 28 Jul 2010 19:49 GMT
> Sara filted:
>
[quoted text clipped - 12 lines]
> capitalization standard in use there, it's as opaque as the sequence of
> hexagrams in the I Ching....r

Are the trigrams in the I Ching really that opaque? Maybe Space Cadets
would like it that way.

I'm no expert on the I Ching, but I was recently interested in the
trigrams on the South Korean flag. I think that the description of
them, and their origin from the I Ching is fascinating. It makes a lot
of sense and echoes the classical conception of the elements as Earth,
Air, Fire and Water:

http://en.wikipedia.org/wiki/Flag_of_South_Korea

Having read that, and 'The Tao of Poo', I'm not sure that Taoism isn't
largely rather sensible. Not, maybe, Captain Sensible, but certainly
First Lieutenant Sensible.
R H Draney - 29 Jul 2010 02:17 GMT
Peter Brooks filted:

>> Take a look at the list of songs on the Beatles' "White Album"...if there=
>'s a
[quoted text clipped - 11 lines]
>
>http://en.wikipedia.org/wiki/Flag_of_South_Korea

Problem there being that Chinese alchemy uses *five* elements (including Wood
and Metal, and excluding Air) and arranges them in two different "cycles"
(destructive and generative) rather than just identifying them with combinations
of two pairs of opposites (hot/cold and wet/dry)....

>Having read that, and 'The Tao of Poo', I'm not sure that Taoism isn't
>largely rather sensible. Not, maybe, Captain Sensible, but certainly
>First Lieutenant Sensible.

The trigrams are fairly well organized, corresponding as they do to the eight
directions of feng shui, for example...but the book-sequence of the sixty-four
hexagrams has resisted all attempts at explanation for two thousand years....r

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Peter Brooks - 29 Jul 2010 02:44 GMT
> Peter Brooks filted:
>
[quoted text clipped - 18 lines]
> (destructive and generative) rather than just identifying them with combinations
> of two pairs of opposites (hot/cold and wet/dry)....

Yes, but why is that a problem? We now know that they're all wrong,
certainly, but the understanding of the world being constructed of
elements is an important step forward. The similarity in the
constructions is, to my mind, more important than any specific
differences.

The theory of humours reflects, to some extent, the same
contradictions seen in Chinese thought of that pre-scientific time.

> >Having read that, and 'The Tao of Poo', I'm not sure that Taoism isn't
> >largely rather sensible. Not, maybe, Captain Sensible, but certainly
[quoted text clipped - 3 lines]
> directions of feng shui, for example...but the book-sequence of the sixty-four
> hexagrams has resisted all attempts at explanation for two thousand years....r

Mmm... You do, I think, mean that as a challenge.

There is the alternative. That there is no rational or sensible
explanation.

That, in itself, if established, is a solution. If it is truly the
case that there is no solution, then no solution is the solution.
R H Draney - 29 Jul 2010 05:43 GMT
Peter Brooks filted:

>> Peter Brooks filted:
>>
[quoted text clipped - 25 lines]
>constructions is, to my mind, more important than any specific
>differences.

The "problem" is that the Four Elements aren't seen as such in the Chinese
view...there's a great little sci-fi novel I read about ten or fifteen years ago
in which the premise is that Aristotle was right about everything...a
Europe-based mission to extract a bit of the sun's substance is mounted, with
the problem of getting the ship to move through the aether...part of the way
there, they meet up with a Chinese ship governed by *those* erroneous notions of
the physical world, and the hero finds that bits of physics he believes to be
universal don't seem to work on the enemy ship....

>> The trigrams are fairly well organized, corresponding as they do to the e=
>ight
[quoted text clipped - 4 lines]
>>
>Mmm... You do, I think, mean that as a challenge.

You want to submit it as an SDC question, be my guest...but you might have
trouble supplying a Totally Official Solution to go along with it....

>There is the alternative. That there is no rational or sensible
>explanation.
>
>That, in itself, if established, is a solution. If it is truly the
>case that there is no solution, then no solution is the solution.

I'm willing to accept that, but it's vexing that the traditional sequence of 64
is so consistent that one feels there *must* be a rationale behind it....r

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Peter Brooks - 29 Jul 2010 18:36 GMT
> Peter Brooks filted:
>
[quoted text clipped - 6 lines]
> the physical world, and the hero finds that bits of physics he believes to be
> universal don't seem to work on the enemy ship....

A lovely notion, and one that's not as far-fetched as one might think.
Schrödinger's cat is the famous interpretation of quantum mechanics
that believes that human observation changes (or settles rather,
through the collapse of the wave function) the state of the universe
acting at a distance.

Also the fact that language alters the way that we think suggests that
it is quite possible that reality appears different to minds shaped by
different languages - and who's to say that that alternative could
never come up with an apparently incompatible solution that works.
JimboCat - 29 Jul 2010 18:10 GMT
> Having read that, and 'The Tao of Poo', I'm not sure that Taoism isn't
> largely rather sensible. Not, maybe, Captain Sensible, but certainly
> First Lieutenant Sensible.

"Bother!" said Pooh. "The Poo that can be Pooped is not the Eternal
Poo. And there doesn't seem to be a restroom in the Hundred-Acre
Wood."

Jim Deutch (JimboCat)
--
"I think you have the snake by the udder, here." [marijke vanGans]
R H Draney - 29 Jul 2010 19:35 GMT
JimboCat filted:

>> Having read that, and 'The Tao of Poo', I'm not sure that Taoism isn't
>> largely rather sensible. Not, maybe, Captain Sensible, but certainly
[quoted text clipped - 3 lines]
>Poo. And there doesn't seem to be a restroom in the Hundred-Acre
>Wood."

How do you think the game of Pooh Sticks got started?...r

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Peter Brooks - 30 Jul 2010 07:54 GMT
> JimboCat filted:
>
[quoted text clipped - 7 lines]
>
> How do you think the game of Pooh Sticks got started?...r

Wouldn't it have been the game of Pooh Leaves if that were the
history?

It might have been a better game altogether and could have been played
in two parts - Pooh Leaves & Pooh Returns.
Jeffrey Turner - 30 Jul 2010 13:47 GMT
>> JimboCat filted:
>>
[quoted text clipped - 10 lines]
> Wouldn't it have been the game of Pooh Leaves if that were the
> history?

As long as Pooh doesn't follow the example of the panda.

--Jeff

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Love consists of overestimating
the differences between one woman
and another.  --George Bernard Shaw

CDB - 30 Jul 2010 00:09 GMT
>> Having read that, and 'The Tao of Poo', I'm not sure that Taoism
>> isn't largely rather sensible. Not, maybe, Captain Sensible, but
[quoted text clipped - 3 lines]
> Poo. And there doesn't seem to be a restroom in the Hundred-Acre
> Wood."

'Master Tung Kwo asked Chuang:
"Show me where the Tao is found."
Chuang Tzu replied:
"There is nowhere it is not to be found."
The former insisted:
"Show me at least some definite place
Where Tao is found."
"It is in the ant," said Chuang.
"Is it in some lesser being?"
"It is in the weeds."
"Can you go further down the scale of things?"
"It is in this piece of tile."
"Further?"
"It is in this turd."
At this Tung Kwo had nothing more to say.'

(But Master Chuang went on at some length.)  From Thomas Merton's
meta-translation, _The Way of Chang Tzu_, always worth another look.
Preview available at:

http://books.google.ca/books?id=LDOCZPyg2MQC&printsec=
frontcover&dq=merton+chuang+tzu&hl=en&ei=TgVSTJ_
LHoW0lQef8Nz7BQ&sa=X&oi=book_result&ct=result&resnum
=1&ved=0CCwQ6AEwAA#v=snippet&q=turd&f=false

http://tinyurl.com/2clf4cg
G Daeb - 28 Jul 2010 20:52 GMT
> Here is a pic of the front page of the New York Times:
>
[quoted text clipped - 6 lines]
> Does anybody know why the Times doesn't just use one style? What the
> purpose of all this?

No, but before attempting a (relevant) cross-
post on the origins of a phrase that's hit the
headlines in UK media today being rooted in
a society rife with poor nutrition, I will point
out that whether New York, London, Mumbai
or wherever, it's probably more standard to
treat a newspaper, like a family, in the singular
when it comes to possessives.

The Beatles were at various times John, Paul,
George, George, Charlie, Pete, Stu and Ringo
but each one can be referred to in the singular;
e.g. "..., often referred to as 'The Fifth Beatle',..."

As such common standard usage accepts
one may go round the Jones's house; and
would be equally favourable to "Understanding
the thought processes behind The Times's
headline style."

As you are citing an online edition and many
newspapers which market themselves in the
"quality" sector do have a readers' editor whose
job it is to know and answer such questions,
it may be worth asking them.

Traditionally such factors as how much news
there is and therefore whether it's a case of
filling space up or, literally, copyfitting, into the
once-fabled fractal dimensions, text so heavily
kerned it reads more as a multiphtongeme
than a lexicographically-referenceable stringliteral.

Once upon a time before that it may have
depended how many letters of what size were
left in which holes in the font rack. Dang, we're
out of capital Q's...best re-phrase that one and
stick it in italics...

G DAEB
COPYRIGHT (C) 2010 SIPSTON
--
Peter Brooks - 28 Jul 2010 21:24 GMT
>  multiphtongeme

Too many beers this evening perchance?
CDB - 29 Jul 2010 02:54 GMT
>>  multiphtongeme
>>
> Too many beers this evening perchance?

He was pregnant with thought.
R H Draney - 29 Jul 2010 02:19 GMT
G Daeb filted:

>The Beatles were at various times John, Paul,
>George, George, Charlie, Pete, Stu and Ringo
>but each one can be referred to in the singular;
>e.g. "..., often referred to as 'The Fifth Beatle',..."

Yez left out Billy Preston....r

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Garrett Wollman - 28 Jul 2010 22:07 GMT
>As you can see, some of the headlines are italicised, some capitalize
>the first letter of each word, some capitalize every letter of every
>word, and some are mixes of those things.
>
>Does anybody know why the Times doesn't just use one style? What the
>purpose of all this?

I don't, but you must remember that the NYT does a lot of things
simply because they've "always" done them that way -- as with the use
of honorifics, writing initialisms as abbreviations ("I.B.M.",
"D.O.D."), and others.  The result is a distinctive visual style that
is fairly easy to recognize even when the nameplate is cut off.
(Compare the Wall Street Journal and The New Yorker.)

-GAWollman
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Garrett A. Wollman    | What intellectual phenomenon can be older, or more oft
wollman@bimajority.org| repeated, than the story of a large research program
Opinions not shared by| that impaled itself upon a false central assumption
my employers.         | accepted by all practitioners? - S.J. Gould, 1993

HVS - 28 Jul 2010 22:33 GMT
On 28 Jul 2010, Garrett Wollman wrote

> In article
> <888123ba-57e1-43ca-bd50-5299e14bf833@m17g2000prl.googlegroups.com>,
[quoted text clipped - 9 lines]
> I don't, but you must remember that the NYT does a lot of things
> simply because they've "always" done them that way

Indeed;  it's a very old style, which I presume grew out of 19th century
conventions for book titling.

I'm sure most people who post to AUE are familiar with the form, but for
those who might not be, here's an example of a book title -- this is from the
1848 edition of what's usually referred to as "Lewis's Topographical
Dictionary of England".  (Everything should be centred and in upper-case;
I've capitalised what appears in bold):

------------------------------------------

A

TOPOGRAPHICAL DICTIONARY

of

ENGLAND,

comprising the

Several Counties, Cities, Boroughs, Corporate and Market Towns,

Parishes, and Townships,

and the Islands of Guernsey, Jersy, and Man,

with

HISTORICAL AND STATISTICAL DESCRIPTIONS:

and embellished with

Engravings of the Arms of the Cities, Boroughs, Bishoprics, University,and
Colleges;

and of the Seals of the various Municipal Corporoations.

----------
By Samuel Lewis
----------

-------------------------------------------

I don't see a whole heap o' difference between that and the varying
typography used by newspapers of the same period -- which is what the NYT
style has stuck with.

So: outdated typographical convention, yes; perverse, no.

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Cheers, Harvey
CanEng and BrEng, indiscriminately mixed

 
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